Damon & Naomi - False beats and true hearts (Broken Horse)

Damon & Naomi - False beats and true hearts (Broken Horse)
The former bandmates of Dean Wareham in Galaxie 500 are still making a handsome contribution to the canon of dream pop. You only need to hear the plangent beauty of How do I say goodbye, or the English folk revival feel (albeit with a VU-ish electric guitar drone lurking in the shadows) of the gorgeous Shadow boxing. My own fave is What she brings, with its aching slide, creamy psych guitar and vibrating bells. Rich textures are supplied by understated mellotrons and flutes. All in all, a dizzy drift of pleasure through your subconscious. Which is something I recommend.

Damon & Naomi with Chris Marker - And You Are There from The Wire Magazine on Vimeo.

Comments

Post a Comment

Popular posts from this blog

Best of 2014 - Part 4: Jazz/Chamber/Orchestral/Wonky/Ambient/Minimalist

And so the final part of this journey back through 2014. I've titled this bunch in favour of the Orchestral/Jazz end of the pop spectrum but there are certainly a few refugees from Dream Pop, Folk, maybe even Soul (and one showtune). Who's counting though. There are also a good number of Electronic pieces in here as promised, but more of minimalist, downtempo and/or industrial leanings. Mood wise, I think this set hangs together pretty well. Whatever, there's a lot of great music in here for sure. Just as a reminder, here are the other three parts of my 2014 Review. http://www.theundergroundofhappiness.blogspot.ie/2014/12/best-of-2014-part-1-folkrootscountry.html http://www.theundergroundofhappiness.blogspot.ie/2014/12/best-of-2014-part-2-soulpopjangleelectr.html http://www.theundergroundofhappiness.blogspot.ie/2015/01/best-of-2014-part-3-psychkrautrockpunkb.html 1. Polar Bear – Two storms (Leaf) A wonderfully spacious late night saxophone ele
Read more

Best of 2014 - Part 3: Psych/Krautrock/Punk/Blues/Glam/Tropical

Another hodge podge of generally loud fast music often featuring loud guitars and sometimes even loud keyboards. There are also some hushed varieties (to make up for the lack of volume those have a spooky air) and at least a few with no guitars at all. That's the beauty of pop music and 2014 was another vintage year. 1. Ezra Furman – My zero (Bar None) Let’s start with an album not technically released last year (towards the end of 2013), but it sank home with me in the early weeks of last January. The day of the dog is a bracing blast of beat rock n roll from an age before The Beatles, never mind the internet...committed, passionate and filled with buzzing guitar hooks and, inspiringly, saxophones. This song was my anthem from it. It’s a class tune all over. Shades of The Modern Lovers and even Violent Femmes here and there but Furman's voice in particular is all his own - brilliantly strained, reaching. There's not enough of that in pop music. The who
Read more

Matthew Bourne - Montauk Variations (The Leaf Label)

Image
I'm no jazz afficionado. I probably know as much about jazz as the average pop music fan. Which is why I'd previously only been aware of the pianist Matthew Bourne at arm's length, through references in regular mailings from the Leaf record label. Now, Leaf are releasing what is apparently his first ever solo studio album, and his first outing with the label. From what I read about Bourne, it sounds like he doesn't wear the jazz tag easily; he's been a serial collaborator over the last decade - piano trios, free jazz/noise groups and even a project seeking out broken pianos, Songs from a lost piano (which sounds intriguing and I must check it out this minute). I've no intention of attempting anything like a review of this album. I'm not qualified and I hate it when people wander into territory where they're clearly out of their depth. However, there is an obvious "way in" for me here - a version of the Charlie Chaplin tune Smile , which ori
Read more