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Matthew Bourne – Candela (for Sascha Heeney) (The Leaf Label)

Aching piano instrumental from the North of England artist ahead of a new album in the summer.

Matthew Bourne has spent the last few years exploring the edges of improv with Moog workouts, audio visual collaborations and Kraftwerk interpretations (sometimes all at the same time).

While those were fascinating, there’s something very satisfying about this return to piano, to territory reminiscient of his wonderful Montauk Variations album from 2012.

Plaintive and spare piano notes gather long contemplative cello drones leading to a surprisingly suspenseful atmosphere.

It’s a thing of beauty and I can’t wait to hear more from the album.

Candela (for Sascha Heeney) by Matthew Bourne

Playlist 444 - Apr 25 2017

A selection of dreamy kosmische cuts this week.

Jane Weaver making something vulnerable and really beautiful out of interweaving synths.

Percolator with lovely gauzy shoegaze textures.

The Saxophones have a veil thin dream pop.

And Matthew Bourne is back with sublime instrumental piano music.

More on these pages.



The Underground of Happiness
uplifting pop music of every creed

www.theundergroundofhappiness.blogspot.com
www.facebook.com/theundergroundofhappiness
Twitter: UndergroundOfHappy

Playlist 444
Tues Apr 25 2017
11.00am-12.00pm
(repeated on Tuesdays 8.30pm)
UCC 98.3FM
listen live on the web at www.ucc.ie/983fm
*listen back to this show here
goo.gl/M33CKO

Playlist
Jane Weaver – Slow motion (playing The Lexington, London, May 22)
Percolator – Yellow fire (playing Coughlan's, Cork, Apr 28; Bello Bar, Dublin, Apr 29)
Autre Monde – Customs
Me and The Bees – Spinnin
The Saxophones – If you’re on the water
Nightlands – Depending on you
Courtney Marie Andrews – Honest…

Cormac O Caoimh – born (from the album Shiny silvery things)

A gorgeous wolf in sheep’s clothing.

An unsettling wrongfooting piece of songwriting.

Wearing a sublime French jazz costume.

you could have been born someone else

What a brilliantly double edged ocean of possibility.

shiny silvery things by Cormac O Caoimh

Percolator – Sestra (Penske Recordings)

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Delicious mixture of the propulsion of Stereolab and the textures and crunch of My Bloody Valentine from this Dublin band’s debut album.

There are many things to love about the album – the sense of adventure, the absorption in ideas for their own sake (an improv spirit maybe), the embrace at the same time of pop melodies, the sheer breadth of sounds generated throughout the album – but I think my favourite is that great quality in any band or album, not trying too hard.

I can think of ten other bands who might have taken a rough draft of these songs and turned them into bombast, beating you over the head with the ideas and in the process murdering any beauty.

Percolator have that wonderful thing, restraint, so instead they stick with the ideas, the raw elements and see them through, not just as means to an end but as diamonds in themselves.

In this I would put them next to labelmates The Altered Hours. A band with vision and in it for the long haul. Plus with obvious musi…

Jane Weaver – Slow motion (Fire Records)

Glorious kosmische pop music with a motorik pulse from the Manchester artist.

There’s a beautiful weave to the synth lines, a carefree quality, a cavort suggesting the tumble of the universe somehow.

But it’s Weaver’s voice that crowns the sound.

Close and persuasive – let’s go outside when it doesn’t feel right / we can disappear – it uses simple elegant phrasing with an endearing down to earth tone which has a hint of world weary about it.

The effect of this simplicity againt the thick swoops of cosmic backing is to make a strange atmosphere. Like the best science fiction, it says otherworldly but still recognisable.

The arrangement is a dream of serene space, inner and outer.

A sumptuous cut.

Weyes Blood – The Workman’s Club, Dublin, April 15th 2017

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On the most significant weekend in the Christian calendar, there was something appropriate about the primal and even pagan undertones of this wonderful show of live music and (I’m going to say) ideas.

Firstly we must speak about the sheer presence of Natalie Mering on stage (which is only added to by the remarkable sky blue with white clouds trouser suit, a sort of David Byrne meets Pop Art statement). You could call it a certain kind of cool. It certainly comes across as a confidence but with no sense of distance or aloofness to it. There’s a distinct warmth to her stage persona, or we might just say her personality because there’s no hint of artifice, just an easy engaging quality.

Her between song patter also has a distinct air of playfulness. She has a mischievous streak, no doubt about it. ‘Seven words’ is introduced with a wry smile as “seventeen words...it’s grown another ten words...a lot has happened”. One of the encores (a krautrock classic) is billed as “a more Germ…

Playlist 443 - Apr 18 2017

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A bunch of folk music in the first half of the show this week.

The Nightjar, brilliantly ghostly.
Richard Osborn, wonderful pastoral American primitive.
Seti The First, magnificent string based instrumentals.

And in the second half, much of the louder variety.

Snapped Ankles, murderous bassline.
Percolator, mashing MBV & Stereolab together beautifully.
Can, looping the loop wonderfully.

And from Brussels, Manu Louis (pic) with an amazing soundclash of 8 bit, electro, orchestral and whatever you're having yourself.

More on these pages.



The Underground of Happiness
uplifting pop music of every creed

www.theundergroundofhappiness.blogspot.com
www.facebook.com/theundergroundofhappiness
Twitter: UndergroundOfHappy

Playlist 443
Tues Apr 18 2017
11.00am-12.00pm
(repeated on Tuesdays 8.30pm)
UCC 98.3FM
listen live on the web at www.ucc.ie/983fm
*listen back to this show here
goo.gl/Qg4zkb

Playlist
The Nightjar – The birds were made to sing for us (playing Green …